TRAMIGRART explores the relationships between arts, traumatic events, and resilience with a special focus on two different kinds of diasporic memories: a) individual, collective, and public memories of forced migration through the Mediterranean and b) individual, collective, and public memories of migrants escaping from the Ukrainian war.

The main idea is to study the relations between artistic representations and political articulation, with the aim of adding new dimensions, especially with respect to the question of reaching historical truth and reconciliation (Dekel and Tota, 2017).